00:00 Introduction.  Syncopated version of the opening phrase of the song is used as an introduction.  The bass and drums hold a steady beat while the piano plays a syncopated rhythm for the first phrase.
00:05  (A) For the second phrase the bass and drums move to a more syncopated rhythm.
00:09  (A) First verse.  The piano plays the melody while the drums play straight time.  Notice the syncopated semi-walking pattern played in the bass.
00:28  (B) Chorus.  The bass uses a straight walking pattern.  Notice the chordal patterns used as part of the piano solo.  Such chordal "voicings" are a trademark of Bill Evans's style.
00:45  (A) Bass solo.  Piano and drums lay out.
00:56  Piano adds short melodic responses to the bass solo.
01:07  (B) Drums enter as a third member in the interchange of melodic ideas.  This type of balance of duties among the trio members is also a feature of Bill Evans's trios.
01:25  (A) Second chorus for bass solo.  The three members participate equally in the exchange of ideas.
01:45  (B) The exchange of ideas continues.
02:02  (A) The trio finally falls into a more traditional straight-time format over the verse section of the song for the first chorus of piano solo.
02:21  (B) Motivic exploration by Evans.
02:40  (A) Second chorus of piano solo.  Notice the short comping chords in the left hand.
02:58  (B) Evans develops some melodic motives.
03:17  (A) Evans takes another solo chorus.  Notice the balance between melodic and chordal activity.
03:35  (B) More syncopated chordal accents offset the melodic activity.
03:54  (A) Fourth chorus of piano solo.  Very creative comping used to support the melodic flights.
04:12  (B) Chordal punches connected by melodic phrases.
04:30  (A) The piano and drums fade to leave the bass as the leading soloist.
04:44  Thee piano and bass work in counterpoint.
04:50  (B) Bass solo with short piano responses.
05:07  (A) A return to the melody highly embellished with improvisation.
05:27  (B) Notice how the melodic activity is reduced to chordal patterns as the chorus is brought to a close.
05:41  The rhythm of the final measures is repeated to create an ending.
05:56  End.